New York Fashion Week Spring Summer 2006 [The ZOO]
New York Fashion Week Fall 2006 Begins
Fashion :: New York Fashion Week Scrapbook, Part 1
Introducing a new multimedia feature, the ZOOZOOM click-drag scrapbook. Explore the latest spring fashions from New York Fashion Week, move and arrange the pictures to create your own scrapbook then print your creation. it's a whole new level of interactivity, featuring Marc Jacobs, Zac Posen, Kenneth Cole, Bill Blass and many many more. Photography by David McIntyre. more...
Fashion :: New York Fashion Week Scrapbook, Part 2
Introducing a new multimedia feature, the ZOOZOOM click-drag scrapbook. Explore the latest spring fashions from New York Fashion Week, move and arrange the pictures to create your own scrapbook then print your creation. it's a whole new level of interactivity, featuring Marc Jacobs, Zac Posen, Kenneth Cole, Bill Blass and many many more. Photography by David McIntyre. more...
New York Fashion Week :: J.Mendel
J. Mendel :: Spring Summer 2006
The showing of J. Mendel's Spring 06 collection was nothing short of pure luxury. Gorgeous silhouettes that were reminiscent of something Grace Kelly may have worn, equally as opulant and stylish. The colors were cool icy blues, bone, taupes and delicate splashes of congnac and steely-aquamarine. It was beautiful. There were touches of fur trim here and there, but what really stuck in my mind where the beautifully cut evening wear and cocktail dresses. They were so lovely and delicate, yet due to the unfinished edges, they were not overy girly. These were made for a real woman and you could imagine seeing any one of them at a gala benefit or red carpet. No hip groove thing here, just solid, beautiful , gorgeous clothes for a woman of substance, not trends. [Kelley Quan]
New York Fashion Week :: Vera Wang
Vera Wang :: Spring Summer 2006
When you think about Vera Wang, you think, gorgeous evening gowns and wedding dresses. At the latest showing at Bryant Park last week,this still held true. However, I also saw a fresher, more fashion side to Ms. Wang's work that gave the collection a meatier ambience. The colors were deeper, the shape and silhouettes of the garments a bit more substancial. Bottle greens, black's and white's, grey were all strong color themes this season for Ms. Wang, as was the "Pilgrim" silhouette. Wide military-type ribbons reworked into beautiful sashes and belts were nice accent pieces. Overall, I enjoyed this show as I was presented with a collection that held some welcome surprises for me. Not that I didn't see classic Vera as well, but I felt this show showed a range I'd not seen in her work before. I hope that I have the opportunity to see more at next season's showing, as this one had mega-hit all over it! [Kelley Quan]
New York Fashion Week :: Heatherette
Heatherette :: Spring Summer 2006
In an effort to branch out into "wearable" sometimes its hard to view the Heatherette duo Richie Rich and Travor Rains as "serious" designers. With a knack for great publicity, they presented their 1950's kitsch meets 1980's beach party collection to an audience waiting to experience the infamous Heatherette spectacle. Models paraded in metallic dresses and wildly printed skirts, as well as some grand versions of a circle skirt covered with bunched and quilted fabric. With wild accessories, some serious gold hardware and over the top hair poofs, the whole look was a bit overwhelming...but break each look down and underneath the big hats and gaudy jewelry you could find a sweet silk dress or a modest quilted cardigan with just the right amount of appliqu?ɬ©. The crowd sang along to Ace of Base and Elton John as the stars paraded down the runway, and it was clear from the jeers and hollers that everyone who was there for an entertaining show went home happy...and excited for spring! [Rania and Meghan]
New York Fashion Week :: Libertine
Libertine :: Spring Summer 2006
For the Libertine show on Friday, it was about drinking old England dry. A collection combining Libertine's reincarnation of vintage and new looks, the Victorian influenced presentation was filled with pretty slip dresses, as well as layered printed versions in vibrant colors. Velvet jackets and tulle dresses displayed multi-colored Swarvoski crystals representing old English roses and skulls. Queen Victoria's silk screened image was placed across rock n' roll tees and skirts. With Libertine's quirky humor and eye for the old and new, the collection succeeded in creating clothes and an identity for its client, a fun lighthearted girl that brings the romantic rock star out in all of us. [Rania]
New York Fashion Week :: Nanette Lepore
Nanette Lepore :: Spring Summer 2006
Oh, Halleluiah! There was color, color, and more color and of course to go with the flow, a few quieter tones thrown in from time to time for Nanette Lapore's Spring 06 showing. The collection had some of her signature girly-girl silhouettes but with a bit more structure. The patterns and Guatemalan-style lace on some of the looks gave femininity without being overly frilly. The styling was sassy with bright beaded necklaces and printed belts. There was an overall, forties flavor to this collection, featuring nipped in waists, ruche dresses, and bold prints. All would have be comfortable on the set of I love Lucy and to be honest, I think that's when women really knew how to power dress! It was all shoulder and swish, movement and color. I loved it. The makeup and hair were perfect for the collection, with hair in a tousled forties roll and kiss curls, and the makeup in a smoky taupe-green and a deep berry stained lip.
I think a lot of pieces in this collection will be on many a fashion - girls hit list... including mine! The ivory silk halter with the striped swing skirt's got my name all over it.... [Kelley Quan]
New York Fashion Week :: Monique L'Huillier
Monique L'Huillier :: Spring Summer 2006
Think Jackie O and you've got a pretty good idea of the vibe of Monique L'Huillier's
Spring 2005 collection. Tone on tone brocades, corset dresses with netting, suits with cropped sleeves and shift dresses, all resonated this idea. There was one look that verged on a more original theme of a multi layered balloon skirt coupled with a sleeveless lace top was a nice diversion from this mainly retro inspired collection.
Makeup was clean and uncomplicated with a bright ivory on brow, pale face, glossy lip and full lashes. The hair was messily pulled back in a tight bun to show of the freshness of the face. The highlight for me was the white billowy dress with strappy fitted bodice and tiered skirt. It was lovely and girly in an unadorned sort of way. Overall, I thought, Ms. L'Huillier played it safe and didn't stretch her wings much but the highlights were strong enough to carry the show. [Kelley Quan]
New York Fashion Week :: Chaiken
Chaiken :: Spring Summer 2006
Julie Chaiken and Jeff Mahshie's 2006 Spring showing kept to their roots of clean, crisp lines and feminine silhouettes. They have followed a similar color palette to last season of Beige, ivory, white, black punctuated with red, chartreuse, hot pink. High collars on filmy, 40's inspired dresses, slouchy, wrap tops with tailored pant, a fabulous wrap coat with piping detail, looked sophisticated and fresh.
Makeup was bright with a touch of flushed cheek and hair was loose but pulled softly away from the face, think 40's but with a modern twist. The look worked well with the clothes, keeping the focus on the fashion than the makeup and hair. Their bodice dress in grey crinkle silk with bone cropped cardigan was a nice touch. I felt this collection was definitely for the professional woman who looks for classic, relaxed clothes. There was a light teal chiffon dress with a camel coat that was gorgeous and a great example of this. Their red taffeta dress with wide sash was reminiscent of Cybil Sheppard in the last picture show... and the low-slung skirts with shirred tops were great as well. The quintessential baby doll dress that seemed to be cropping up in many of the shows this season was there as well, right on target. This time coupled with a cropped aqua marine toned jacket and wide black sash belt. Their mixture of sheen and texture gave this collection richness and took it from being retro to modern. I like this effort a lot and felt that it was a consistent, bankable showing. [Kelley Quan]
New York Fashion Week :: Chado Ralph Rucci
Chado Ralph Rucci :: Spring Summer 2006
As New York Fashion Week came to a close on Friday, it was quite ironic that the Chado by Ralph Rucci collection was one of the last shows scheduled. Mr.Rucci's presentation gave us the strong reminder of what fashion week is really about, the clothes themselves. And among the far and few, no one does it better than Mr. Ralph Rucci himself. For the woman tired of retro, fairytales and bohemia, all the pieces from the Ralph Rucci collection displayed a deep understanding of the purity and beauty of clothing on the human body. These clothes represent what it is we love about fashion, the masterly craftsmanship, the painstaking details, the lush colors, and the ultimate luxury of the fabric.
In a collection of both ready to wear and haute couture, Rucci's pieces stemmed from a combined influence of nature's lines and the art deco movement. Dresses were pieced together in a collage like fashion with metallic placements. Leather was twisted and precisely cut, manipulated so as to look woven. The color palette was an intense of variety of orange, red, brown, and neutrals. Rucci's trademark funnel neck jackets stood tall like a piece of modern sculpture, yet never overbearing the body. The audience held its breath as Rucci's gowns came down the runway. The silk crepe gowns evoked a true spirit of old world couture. The long and lean silhouette was a powerful statement in response to the heightened lines and volumes displayed this past fashion week. A collection of true integrity. For New York Fashion Week, they saved the best for last indeed. [Rania Abu Eid]
New York Fashion Week :: Lela Rose
Lela Rose :: Spring Summer 2006
Boxy silhouettes, big bows and bell shaped sleeves seemed to be the common denominator throughout the Lela Rose 2006 Spring presentation. Muted greens, shades of khaki and ashy plums were incorporated into the predominantly black and cream collection. Loose fitting knee length dresses and flowing chiffon blouses looked comfortable enough to lounge around in. Skirts and dresses were full and gave plenty of volume in the front to conceal side pockets, very practical, but obviously does not do any favors for the figure. While oversized bows acted as belts and cinched in waistlines they sometimes where a bit too over bearing and took away from the details within the fabrics. Although the collection felt as though there was little motivation behind the designs, there were a few pieces that stood out such as a strapless teal silk gown with an empire waist. Red bold floral prints on dresses and skirts were light hearted and fun, sure to do well with the southern sorority sisters and Upper East Side prep kids. [Meghan Casey]
New York Fashion Week :: Caroline Hedaya
Caroline Hedaya :: Spring Summer 2006
Clean lines and a touch of romanticism were apparent at the debut of the Caroline Hedaya line. Models emerged in floaty chiffon dress and fresh nautical inspired pieces (key item this season: cropped jacket in canvas or linen!) If Narciso Rodriguez had a junior line this would be it ( Oh, wouldn't Teen Vogue love THAT!) . But I have to say amidst all the over crazed bohemia that still lurks at the shows this season, this one was quite refreshing. [Meghan Casey]
The collection from two best friends Caroline Hedaya and Donna Baxter, was girly, trendy, and very marketable. As the navy and off white sailor inspired pants and dresses came down the runway, one couldn't help but be reminded of past looks from Chloe and Narciso Rodriguez. A lack of originality contributed to this as being one of the less memorable collections of fashion week Will people wear these clothes next Spring? Of course. Will they stand out among the masses? Not really. [Rania Abu Eid]
New York Fashion Week :: Tracy Reese
Tracy Reese :: Spring Summer 2006
Reese's soundtrack began with some popular hip hop, suddenly twisted into strings and then introduced a woman's voice that must have debuted on the gramophone,and back again. It reminded me of that fusion trend in new restaurants.
The sounds were much like the show: there were a couple of strong themes: girl who loves flowers, debutante party dress, and debutante who loves flowers goes to the work (which was a more assertive take on the first two.)
Tracy has been the most feminine, floral, and colorful designer thus fa r, she likes being a girl. Though some of the fabrics were not in my usual palette for personal wear, there were some standout accents that surprised and pleased. The lace collars on some garments were undoubtedly pretty and I was relieved to see that in this collection each piece could stand on its own, rather than be a modification of one idea. Her green jacket was geometrically stunning, comfortable and my favorite thing of all: surprising. Even if you aren't floral, a debutante or going to work, Tracy proved her ability to deliver pieces that were each a world of their own and surprised you at least once. [Xenia Ross Viray]
New York Fashion Week :: Yeohlee
Yeohlee :: Spring Summer 2006
Set in at the Helen Mills Theater in Chelsea with the accompaniment of a live jazz fusion quartet (which seemed to be a theme this season, think Marc Jacobs, Diesel, Linda Loudermilk to name a few) anyway, it was a nice touch especially as the clubby overused tracks of most shows were still bouncing around my brain and I enjoyed this interlude of real music. I also loved the mix of model to real woman... it was refreshing to see what a non-model would look like in the clothes. usually, I , like everyone else, have to wait till we are in the safety of a dressing room to see how it translate to us mere mortals!
Now Yeohlee is known for her clean, crisp lines and this show was no exception. Her black wool gusset coat with a cotton organza Kebaya was a reminder of her clean aesthetic. I did however; find some of her garments to be quite cumbersome. For example, the "hoist" dresses seemed to have too much fabric to make sense and I wondered what would happen in real life if these were to hit the streets... In my case, I might get caught up on the railings at my children's school if I rounded the corner too quickly... There were some highlights for me though. There was a black waxed linen vest with a lovely green piping that I liked very much as well as her coat of the same colors with the inside out pocket. Fern Mallis hit the runway wearing a double-faced wool jacket with a white gauze shirt, which looked amazing on her. There was also a natersall cable dress that looked beautiful and had a nice fluid feeling. With regard to hair and makeup, as is her tradition, she kept both at the bare minimum, and while I found that there was an opportunity to explore new ideas, she took the safe road and stuck with what she knew. All in all, this was a consistent showing and another variation of her core theme. [Kelley Quan]
New York Fashion Week :: Michael Kors
Michael Kors :: Spring Summer 2006
Always a New York Fashion week pleaser, it was business as usual for the
Michael Kors Spring 2006 collection. Simple loose prairie girl silhouettes came
in camouflage, olives, neutrals, and browns (to offset your tan of course),
along with bold prints in bright orange and deep reds. Think of the jet set
traveler in the desert country. The ideal being the woman who throws on a
bikini top, prairie skirt, and is out the door. Tunic dresses and skirts were
held by brown rustic belts, saddle like bags were strapped over the shoulder,
and aviators masked the eyes. Effortless, chic, and always easy, a keeper for
fashion week. [Rania]
New York Fashion Week :: A la Disposition
a la disposition :: Spring Summer 2006
Straying from the norms of fashion week, a la disposition presented a collection intertwining corsetry and cuts from the Victorian age, a time when the hourglass was the ideal silhouette. This was quite apparent in the Spring collection which was filled with gingham corsets and high waisted skirts, all emulated to emphasize the waist. Yet, the collection was never overtly too feminine, the clothes retained their strength through the tailored understructures given through fabrications of taffetta and silk. The last look remains to be one of the most memorable of fashion week, a gothic Victorian figure sadly treading along under her black umbrella. [Rania Abu Eid]
New York Fashion Week :: Morgane le Fay
Morgane le Fay :: Spring Summer 2006
Morgane le Fay really does skip to the beat of her own drum. I love that quality about her work. The styling is always a little on the quirky side, yet when seen with her designs, it somehow all makes sense. I would never have conceived of putting a Star Trek-like boot (in a rainbow of colors) with these fluid, esoteric clothes but somehow it works. The components that left lasting impressions on me where the apron-like skirt over slim trouser, Obi belted organza gowns and washed Dutchess satin gown with panels draped over the body. Her use of the crinoline was still prevalent. It worked well with the structure of the outer garments, adding a touch of whimsy to the collection. There were also the quintessential floral print with pleating and ruching, again with the Spock inspired boot but this time in shocking red. Le Fay presented a pair of wide legged loose pleated pants in ivory that looked beautiful and I thought for the Avant-Guard bride to be: Morgane's cotton voile gown would be a perfect match.
This collection, although not a consumer trend setting one, was inspirational and beautiful. It made the jaded fashion editor in me, stop, smell the roses and realize that not all great works of fashion are created equal. In this case, Ms. Le Fay has set the bar for others to break free of the fashion treadmill and join her in the journey of individuality. [Kelley Quan]
New York Fashion Week :: Custo Barcelona
Custo Barcelona :: Spring Summer 2006
Okay, let me just say this once: Finally, there was COLOR! After a sea of pale, blanched tones, we were finally presented with a bright, bold color palette. Leave it to Custo Dalmau to lead the way. With his signature bold stripes of contrasting colors and unique silk-screened prints, this collection was not for the faint hearted. It was bold and brash and young. The slinky dresses and tees in red, oranges, plum and green were a great relief to me after a week of predominately pale showcases by most of the designers. I love his slim silhouette and the slinky vibe of his clothing. Although I personally wouldn't be inclined to wear this look head to toe, I like a touch of this vibrancy to any outfit.
Micro-minis with cropped jackets, wide, bold slashes of lime and yellow, red and orange in opposing stripes in cotton jersey both for dresses and tops were the focus for this collection. There were some interesting geometric body suits as well as some swimwear for resort that looked great. Hot pants and slim 50's inspired pants were also included in this showing, which played off well with his Brights. A few pieces seemed to stand out for the pack: The nod to the English naval look in a few of his jackets, as well and the Gaultier inspired Cone Bra (of the early 90's Madonna era) I wasn't convinced made this collection better but did add some variation to the theme of the collection. I think my favorite look of the whole lot was the baby doll dress with cropped sweater. It looked fresh and bright and perfect for spring. [Kelley Quan]
New York Fashion Week :: Linda Loudermilk
Linda Loudermilk :: Spring Summer 2006
The tone of the Linda Loudermilk's Spring 2006 show was set by a violinist, an esoteric percussionist (who I later learned had done the music for Crouching Tiger) and a computer digital musician. I had been chatting casually to a few of Linda's closest friends and they were giving me the skinny on the designer and her organic philosophy so I initially didn't know what to expect. When the girls finally started to walk down the runway, I knew immediately I was in for a visual treat.
Bamboo fabric and matte jerseys that looked like the most amazing silk, gorgeous camisoles, skirts and dresses that seemed like they were small works of art, layering of textures,one over the other to create a subtle and effective palette ran consistently through the whole show. I distinctly felt as thought I was seeing something really new and fresh. The colors were subdued, as in most of the shows so far, of bone, sage, camel, and pale grey. The juxtaposition of various textures playing off one another while coupled with the clean lines prevented it from looking too complex. I really wanted every piece that walked out. This is quite rare for me as I am not known for being a one designer kind of girl but in this case, I could imagine that I would be completely happy to turn out all season long in Ms. Loudermilk's duds.
The hair and makeup had interesting twists as well. The hair was quite sculptural, messes of brillo pad-like buns were strategically placed high at the sides, leaving a cascade of hair to fall below. The makeup was minimal and about as granola as you'd get if you were to think "green" with the exception of a pop of burnished brick lip stain that finished the face. It wasn't a street look overall, but for this showing, it worked well.
All in all, I feel like I discovered a new Golden Girl and will definitely be keeping a keen eye trained on her next endeavor. [Kelley Quan]
New York Fashion Week :: B Rude
B. Rude :: Spring Summer 2006
'Just Gimme the Light...' blared Sean Paul over the loud speaker as the lights went down and the models began the show. And oh what a show it was! Bright neon greens, yellow and oranges were the palette, which at least compared to most of the shows I've seen, added a little color to my week of show hopping. Zippers slashed through patent leather tops, bright prints with the anarchy signs and dresses with bondage straps were just a few of the B. Rude by Boy George looks. With Janice Dickerson skipping down the runway in a black bodysuit, the crowd cheered and laughed, she responded by giving us all the bird. Then with the finale .. which was like a circus on acid.
Friendly reminder from ZOOZOOM ... be sure to dress before applying makeup and spiking up the Mohawk, God forbid the Mohawk slants or the glitter gets in your eye. [Meghan Casey]
New York Fashion Week :: Project Alabama
Project Alabama :: Spring Summer 2006
What a breath or fresh country air! Natalie Chanin's first runway show proved to be the beginning of a long lasting relationship between her and New York Fashion Week. Nominated for the 2005 Fashion Design Award from New York's Cooper Hewitt Museum and one of the finalists for the CDFA/Vogue Fashion Fund award, the crowd of fans and editors all anticipated a great show ... which is just what they got. As the crowd poured into the UPS Hub, a trio of young musicians played some old country favorites to get the crowd in an Alabama state of mind. Once the show began, it was clear after two pieces that it did not matter what state of mind you where in ... Paris, Milan, London or New York, you were going to love the show. Hand quilted skirts paired with fitted cardigans had just the right embellishments; whether it was subtle crystal beading or rich embroidered patterns, the look was always polished. Full skirts in bright prints of red, yellow and shades of blue looked down right charming with a flattering belted coat. Unlike many of the shows during Fashion Week, every piece at Project Alabama was extremely wearable and practical. As the crowd moseyed out of the show, you could not help but over hear everyone sign praises for the collection. 'Sweet home Alabama' is right!! [Meghan Casey]
New York Fashion Week :: Doo Ri
Doo Ri :: Spring Summer 2006
Doo Ri can make you comfortable and unbelievable in only white and neutral tones. With hair low at the nape and a palette of only two colors with some shiny things to look at in between, Doo Ri was able to play with a few simple ingredients to create subtle pieces that were always three-dimensional, soft and understated.
Parts of these spring jackets and tops resembled roses, so luscious you wanted to touch them.
And there's something quite lovely about all the backless trend that has been occurring this season, but there's something lovelier about making the season's running threads your own. After all, isn't that what style is about? [Xenia Ross Viray]
New York Fashion Week :: Myself: Kai Kuhne
'Myself' Kai Kuhne :: Spring Summer 2006
Kai Kuhne, former member of As-Four, proved to skeptics on Thursday night that he is doing quite well sans his partners. A talented designer in his own right, Kuhne's collection stood strong thanks to his tailored jackets, capes, and trenches. A romantic collection, with a tribute to love, it echoed with a nostalgic blend of a seventies Edwardian muse. Fluid silk empire dresses were accompanied with sculpted like feathered boleros. Pants were surprisingly versatile though comprised of a sailor pant silhouette. An impressive debut for flying solo. [Rania Abu Eid]
New York Fashion Week :: Carmen Marc Valvo
Carmen Marc Valvo :: Spring Summer 2006
From the first bar of classic Sinatra, opening with a silver early 60's inspired suit, it was clear that this collection was all about Brat Pack Glamour. The models came out sporting stylish bouffants created by hair guru, Odile Gilbert who managed to keep the look modern, yet true to the origins. And with Tom Pecheaux on makeup,you know it had to be gorgeous. Long, feline eyes, a pale, fleshy mouth, polished skin. It was perfect.
Parading down the runway in Mia Farrow-esque baby doll dresses, embellished sweater sets with slim pants and well crafted shift dresses gave the collection a tight theme. I liked the textures and colors Mr. Valvo chose for this season of silver, taupe, pearl, black and sand, with pops of red and citrus to liven things up a bit.
His attention to detail and tailoring was apparent in this collection, showing that he really understands the female form. The satin corset tops with slim skirts styled with grey and white pearl bead belts were a perfect example of this.There was a gorgeous silver coat with a heavier version of the pearl beaded belt that looked stunning. The cocktail dresses were signature CMV, the pink halter dress with dulled sequin self-belt trim was so gorgeous I wanted to run out and get one NOW! He also showcased some cruise/swimwear that were coupled with cropped sweaters with big oversized collars styled with large wrap around glasses and one with a silver slouchy cover-up that would have made the cut for any Bond goddess from Mr. Connery's era. SIZZLE! [Kelley Quan]
New York Fashion Week :: Richard Chai
Richard Chai :: Spring Summer 2006
Talk about a breath of fresh air. The Richard Chai show on Wednesday pulled through as one of the most wearable, 'no frills' New York collection seen so far.True, it was not a great departure from Chai's last collection (trademark muted colors, clean silhouettes), yet one could not help but fall in love with items such as his bottle green parachute trench, crisp cotton patchwork shirts, and of course those cuffed shorts for spring. Jackets had their sleeves rolled back and collars sharply turned, while belted with taffetta bows. These were beautifully edited pieces that spoke intelligently to the New York woman looking for something more than just a cocktail dress. [Rania Abu Eid]
New York Fashion Week :: Jeremy Scott
Jeremy Scott :: Spring Summer 2006
Arrive at a Jeremy Scott fashion show and one thing's for certain, you're going to see something different. While common themes can be found running through the work of other designers, Jeremy walks alone and for spring he's walking like an Egyptian.
His spring collection is based of the life and times of King Tut, and I think it's fair to say this is the animated version. With details of ancient egyptian history mixed with symbols of urban culture - ala South Central LA. And if Isis and Anubis don't impress, the musical directors research should as we heard every pop song ever written that had the merest mention of anything egyptian. [Kelley Quan]
New York Fashion Week :: Carlos Miele
Carlos Miele :: Spring Summer 2006
The unveiling of a ten foot flamenco dancer swathed in a massive "sea of silk" ball gown opened Brazilian knockout, Carlos Miele's Spring 06 showing. This theme was carried throughout his collection, with ruffled hemlines on skirts, bolero jackets and the layering of textures like lace over silk charmeuse. There were many high lights for me in this show: the Black silk fitted Jacket with ruffles around the collar and beautiful pant were perfect. The look was of a Brazilian-style tuxedo, which was, in my opinion, incredible. The palette was quite subdued for Miele. His use of gold, mauve, black and off white were the key colors to this collection with a few splashes of his celebrated bold prints of reds, yellows and greens that were softened and subtle. It gave the whole collection a quiet, elegant feeling.
Mr. Miele's attention to detail and understanding of a women's body were highlighted with his off white cut out suede trench coat, sheer kimono style top with sleek trouser, and of course, his amazing dresses and gowns. They are always cut to perfection, making you feel like your channeling a VS model every time you put one on. I don't know about you, but I could use a bit of that from time to time! I have been a huge fan of Mr. Miele's work for some time now and this latest showing was as I anticipated - unforgettable. [Kelley Quan]
New York Fashion Week :: Peter Som
Peter Som :: Spring Summer 2006
Peter Som has in past shows shown precision tailoring in most of his work. Today's Spring 06 showing diverted from that structured form into a more relaxed silhouette. There seemed to be a focus on a sort of Deauville-esque, 'Madeline' look, with long cardigan sweaters of navy with a bone stripe as trim. Turn of the century schoolgirl styled blouses with tailored skirts or with lovely prints as well.
The palette of taupe, bone, navy, black and grey were a great combination and gave the collection a soft, understated feeling. The hair was pulled back with volume at the crown, and makeup was minimal and sheer which proved to be no distraction to the clothing.
There were a few highlights for me, one was the silk-screened evening skirt with Swarovski crystals scattered near the hemline. It was coupled with a Matelasse blouson halter-top. The other was a nude georgette gown that fell perfectly on the body. It had a touch of sparkle that gave the ideal amount of attention getting spark without looking too showy. [Kelley Quan]
New York Fashion Week :: Abaete
Abaete:: Spring Summer 2006
The soft lines and easy relaxed feeling of Laura Poretzky's Spring 06 collection was refreshing. Her use of bone, brown and a gorgeous soft violetty rose and deep teal were a lovely touch, especially as I hadn't seen a tremendous amount for color at any show so far. You can tell her strong swimwear background comes through in the sportswear as they are cut with minimal detail but maximum body appeal. Halter dresses with full skirts, cropped short short with billowy blouses were pretty and had great resort appeal. The only strange part of this show was the end.... the UPS uniform hot pant jumpsuit had me visualizing our local UPS dude in them and that brought me to giggles! This aside, the show was light and lively. [Kelley Quan]
New York Fashion Week :: Jill Stuart
Jill Stuart :: Spring Summer 2006
Textures, layers, lace and lines, what an eyeful this collection was. With floral embellishments and ruffles lying atop a background of beige and cream colors, the Jill Stuart Spring collection paid homage to romanticism. Asymmetrical hemlines, lace baby doll dresses and silk embroidered slips gracefully draped the starry eyed models. The layered look played a large part in this collection. You could not find lace without a backdrop of silk and a tiny bow or flower, much like the clothes in her last spring showing.
The craftsmanship of this collection was quite impressive. Intricate stitching on delicate fabrics proved that Ms. Stuart has quite an eye (and hand) for details. The hair and makeup reflected the theme of the collection,with long flowing natural tresses and a face that said 'I am in love', what do I need makeup for? [Meghan Casey]
New York Fashion Week :: Alice Roi
Alice Roi :: Spring Summer 2006
With Stero Total's L'Amour a Trois and other French Femme songs providing the soundtrack to the Alice Roi Spring 2006 show, one could not help expect a girlie-girl show ... then the tiara came out. Although the tiara felt more like the Pope's Mitre rather than a queen's lust object, it set the tone for the entire collection. Washed out shades of peach, navy and silvers were paired with black and white, and for the final touch gold trimming or buttons embellished each piece. The collection brought me back to my catholic school days with high collars and conservative necklines and gold crucifix necklaces. The hair and makeup was modest with straight parts, tiny buns and muted lips ... the nuns and Jesuits would approve of the low maintenance beauty regimen. [Meghan Casey and Rania Abu Eid]
New York Fashion Week :: Zang Toi
:: Fashion Update ::
ZOOZOOM 'The Original Online Glossy' presents :: New York Fashion Week 'Spring 2006'
Zang Toi
Zang Toi dreamt of Africa this season and took his audience along with him. As lions roared through the speaker, models became Masai warriors and descended down the catwalk in safari inspired suits and dresses. The look was completed with layers upon layers of tribal necklaces and tightly wrapped beaded belts hanging on the hip. Most notable was a floor length beaded desert caftan and the elaborate detail on Toi's dramatic evening gowns. Toi succeeded in taking the tribal and incorporating it into wearable clothes for his glamorous clientele. [Rania Abu Eid]
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New York Fashion Week :: Bill Blass
Bill Blass:: Spring Summer 2006
This latest collection was elegant, casual luxe. Michael Vollbracht use of rich cotton brocades with some sheen and water color toned prints were highlighted. I thought the fitted coats and jackets with structured empire dresses showed Mr Vollbracht has a full understanding of Blass at his best. There was a touch of sparkle which made the simple shapes elegant and the braided leather belts added a bit of texture to the coats and jackets.
The palette was black, bone, taupe, camel, pale blue, terracotta and soft greens. One of my favorite looks was of three sweet taffeta dresses, one solid in a gorgeous green and two in gingham. They all had various shaped fitted bodices and full swishy skirts. One was topped of with a very cropped and fitted jacket for a slight sixty's flair. It was the kind of dress that would make you feel wonderful the minute you put it on. There were also many beautiful gowns that would be worthy of any Red Carpet event, so A list publicists: keep your ears open!
The hair and makeup for the show were well balanced for the looks. Rolando Beauchamp softly waved the hair and kept the back loose then with a sixty's touch pulled the front back high on the head. Lucia Peroni did a wonderful job giving the girls a soft eyeline and lots of lashes finishing the face with a nude lip and cheek. The look was well-groomed and polished but relaxed. Overall, I thought this collection was very grown-up but with the touch of retro 60's feel, even the young one's could morph into a Lady. [Kelley Quan]
New York Fashion Week :: Marc Jacobs
Leaving the Marc Jacob's show and paying a little to much attention to what other people were saying I wondered if I'd been to a wine tasting party or perhaps a gathering of young architects.
"Wonderful palette", "Rich and smooth", (with peppery undertones!) "Structured", "Bold and modern" and finally, and this is all true, well apart from the peppery bit, I heard a elderly member of the fashion establishment say she "loved the delicate lines".
So there you have it, build it, drink it or just wear it. more...
New York Fashion Week :: Gen Art
Gen Art :: Spring Summer 2006
Eight shows in one. We love Gen Art for consolidating the newest and freshest talents into one runway extravaganza. Of course, out of eight designers, some stood out more than the rest. My personal favorite was Rodebjer. The collection looked like something I would wear: comfortable, functional and with a great color palette (you would never find any of these colors on an easter egg or cupcake). At the Gen Art party, designer Carin Rodebjar was even so kind as to pose for a photo. [Meghan Casey and Rania Abu Eid]
New York Fashion Week :: Oscar de la Renta
Celebrating his 40th Spring Show, Oscar de la Renta showed 75 looks, no stopping, the runway extending from New York to Hollywood. There just can't be enough gala opening nights at the opera, awards ceremonies, or charity gigs for all these incredible gowns. more...
New York Fashion Week :: Diesel
Sitting in the front row at the Diesel show was Glenda Baily, Editor in Chief at Harper's Bazaar. If this isn't a mark of respect for the jeans brand that's rapidly becoming the House of Diesel.
The Japanese Kodo drums begin, creating a vibrant and crisp sound in the Hammerstein Ballroom today as Diesel unveiled their Spring 2006 collection. The look was right out of Pearl Harbour with 40's naval references everywhere. more...
New York Fashion Week :: Luca Luca
Firstly I'd like to apologize to the 'huge' bouncer I clobbered with my camera whilst trying to get a picture of Paris Hilton. It was a moment of madness, it's really not my scene but the mob mentality of the gathered paparazzi got to me and I just had to have her picture. For what? For why? I'll bring it up with my psychiatrist and keep you informed. Till then I'll forgive you for not trusting my judgement but I thought Luca Luca was a fun collection of wearable, elegant, sexy clothes. [David McIntyre]more...
New York Fashion Week :: Alexandre Herchcovitch
The Gypsies of Europe, a traveling circus in the thirties, perhaps there was even a glimpse of 'Bonnie Prince Charlie'. Herchcovich is never afraid to entertain us. more...
New York Fashion Week :: Atil Kutoglu
Atil Kutoglu :: Spring Summer 2006
Atil Kutoglu pumped some Turkish House music of sorts. The collection was mountains and valleys, I tell you. There were high highs and low lows. Of all the collection there were two lucid moments of perfection. A dress that would make any girl pretty and a sequined jacket that was a successful risk and I wanted to wear one home (pictured).
Fabrics: Jersey cotton floral prints, striped sheer and light shiny fabrics that stunned the eyes and flattered the contours.
Hair: Messy, complicated, beautiful. Hair was long and decadent. Diva Poulos (Hair, Sebastian International) had good intuition. Less conceptual, more instinctually radical. [Kelley Quan]
New York Fashion Week :: Zaldy
Zaldy :: Spring Summer 2006
Zaldy was fun fun fun. With Gwen Stefani wearing a Rastafarian color palette in the front row, the neo-glam rock playing loudly, and so many young style-heads running around in the back, this show was a party.
Zaldy oscillated between airy jersey cotton pieces, draping the models bodies, yet retaining shape, seriously intricate cutouts in evening dresses, and tiny tops with enormous bows across the front. Main ideas were loose, comfortable and young, sequined madness with a thousand cut outs, and sixties beach party. [Kelley Quan]
New York Fashion Week :: Gary Graham
Gary Graham :: Spring Summer 2006
When Gary Graham came out for the post-show flash-clapping and departing, you wanted to hug him for his humility. Mr. Graham was on point: proving he knew the technical ins and outs of traditional form and that he knew how to make the perfect box only to then break out of it. For once, stunning clothes on the runway that you wanted to wear immediately. Every way you dreamed of altering the perfect-fitting piece to make it new has already been dreamed of, and made.
You got chills after the show, due to Graham's ability to throw in a bit of teenage angst, traditional form, and femininity into perfect balance. Impression: Truly refreshing. [Xenia Ross Viray]
New York Fashion Week :: Rosa Cha by Amir Slama
If you can trust anyone to throw a half way decent beach party, you can trust a Brazilian. Even if it's under a tent in the center of New York City. Rosa Cha by Amir Slama didn't disappoint. more...
New York Fashion Week :: Rachel Comey
Rachel Comey :: Spring Summer 2006
Saturday the 10th September. Patrick McDonald in Red backstage at the Rachel Comey Show. Check back soon to see full coverage of the show. [David McIntyre]
New York Fashion Week :: Baby Phat
Only one person could bring Andre Leon Talley, Puffy's mom and masses of 14 year old girls together under one roof - Radio City Music Hall - and that is the DIVA herself, Kimora Lee Simmons. With the sounds of Kanye and Missy blaring from the sound system, the seasons top models strutted their......more...
New York Fashion Week :: Sass and Bide
Sass and Bide :: Spring Summer 2006
Leave it to the Aussies to bring a little rustic vibe to NY fashion week. Fur trimmed antler hats, embellished leather shin guards and lots of feminine flair, Sarah Jane and Heidi have left their signature mark for Spring 06. Girly tops, some sheer, with lace trim coupled with the perfect jean, beautiful dresses with an American revolution flair... I really felt this collection was a return to their roots- a brave, eclectic mix that is both bold and sexy. It was all good.
On the celebrity front: Beyonce was in the house looking amazing, as well as Tara Reid. All in all, I loved this show! [Kelley Quan]
New York Fashion Week :: Patrick McDonald and Bill Cunningham
Dapper looking men abound as New York Fashion week kicked off. There were bowler hatted, umbrella toting, models meeting and greeting on the steps of Bryant Park who quite frankly, coupled with the gorgeous cuties snapping pictures for charity in the tents, made me feel this was a great day to be a girl!
Two permanent fixtures at the Tents are the lovely Bill Cunningham, the most elegant photographer I know and the fabulous Patrick McDonald, who was showing off one of his amazing new millinery confections. It was all about the men today: Kenneth, Tomer, Perry, Estaban, Tommy and John... what a day! [Kelley Quan]
New York Fashion Week :: Gottex
Watching the amazons parade the latest swimwear from Gottex, designed for the the summer of 2006 made me a little panicky. more...
New York Fashion Week :: Kenneth Cole
Kenneth Cole opened New York?¢‚Ǩ‚Ñ¢s Spring 2006 fashion week in Bryant Park with his eye as always, on social commentary. We love Kenneth. more...
Index [The ZOO]