In the late 1960s, Arthur Tress was still a young photographer just out of college working at creating his own signature style. Incidentally, at that time, the concept of environmental awareness was just budding in the United States, and the Sierra Club, who had hired Tress to photograph the noxious effects of strip mining in Appalachia a few years earlier, called on the artist again to shoot open spaces in claustrophobic urban settings - sites that potentially might be transformed into recreational areas for public parks and playgrounds. more...